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ºôÇ︧ ÇÁ¸®µ¥¸¸ ¹ÙÈå Wilhelm Friedemann Bach
ÇÃ·çÆ®¿Í ÅëÁÖÀúÀ½À» À§ÇÑ ¼Ò³ªÅ¸ e´ÜÁ¶, BR-WFB B17 (ÇÃ·çÆ®¿Í ÇÇ¾Æ³ë ¿¬ÁÖ)
Sonata for Flute and Continuo in e minor, BR-WFB B17 (performed on Flute and Piano)
Allegro ma non tanto
Siciliano
Vivace

Ä«¹ÌÀ¯ »ý»ó½º Camille Saint-Saëns
ÇÃ·çÆ®¿Í ¿ÀÄɽºÆ®¶ó¸¦ À§ÇÑ ·Î¸Á½º D-flatÀåÁ¶, Op.37 (ÇÃ·çÆ®¿Í ÇÇ¾Æ³ë ¿¬ÁÖ)
Romance for Flute and Orchestra in D-flat Major, Op.37 (performed on Flute and Piano)

»þ¸¦-¸¶¸® ºñµµ¸£ Charles-Marie Widor
ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¸ðÀ½°î, Op.34
Suite for Flute and Piano, Op.34
Moderato
Scherzo. Allegro vivace
Romance. Andantino
Final. Vivace


I N T E R M I S S I O N 


ÇÁ¸®µå¸®È÷ Äð¶ó¿ì Friedrich Kuhlau
¿Â½½·Î¿ì ‘Çà»óÀÎ’¿¡ ÀÇÇÑ ¼­ÁÖ¿Í ·Ðµµ, Op.98a
Introduction and Rondo on G.Onslow’s “Le Colporteur”, Op.98a

ÇÇ¿¡¸£-¿ÁŸºê Æä·ç Pierre-Octave Ferroud
ÇÃ·çÆ® µ¶ÁÖ¸¦ À§ÇÑ 3°³ÀÇ ÀÛǰ
3 Pieces for Solo Flute
Bergère captive
Jade
Toan-Yan

ÆÄ¿Ã·Î Ÿ¹ß¸®¿À³× Paolo Taballione
º£¸£µð ‘¶ó Æ®¶óºñ¾ÆÅ¸’ ÁÖÁ¦¿¡ ÀÇÇÑ È¯»ó°î
Fantasy on Themes from G.Verdi’s “La Traviata”

*¿¬ÁÖÀÚÀÇ ¿äûÀ¸·Î »çÀü °øÁö ¾øÀÌ ÇÁ·Î±×·¥ÀÌ º¯°æµÉ ¼ö ÀÖ½À´Ï´Ù.

Ç÷¹ÀÌDBÀÇ ¸ðµç °ø¿¬DB´Â ´ÙÀ½ µî Æ÷ÅлçÀÌÆ® °ø¿¬Á¤º¸·Î ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
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