Ȩ > °ø¿¬¸ÞÀÎ > Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä

ÇǾƴϽºÆ® ±è¹Î¼÷±³¼ö µ¿¹®À½¾Çȸ°ø°¨
¼¼ºÎÀ帣 Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä
ÀϽà 2013/06/25 ~ 2013/06/25
Àå¼Ò ¼¼Á¾¹®È­È¸°ü üÀÓ¹öȦ
Ã⿬ ±è¹Î¼÷
°ü¶÷µî±Þ ¸¸ 7¼¼ÀÌ»ó
°ü¶÷½Ã°£ 90ºÐ (ÀÎÅÍ¹Ì¼Ç : 15ºÐ)
°ø¿¬ÆòÁ¡
°ø¿¬Æò°¡
¿¹¸Å·©Å·

  • ±âº»¼Ò°³
  • °ø¿¬¼Ò°³
  • Ã⿬Áø/Á¦ÀÛÁø
  • °ü·Ã°ø¿¬
  • ¿µ»ó/Æ÷Åä
  • °ü·Ã±â»ç

ÇÁ·Î±×·¥

W.A.MozartAndante with Variations in G major K.501 for 4hands
±èÇö¼÷, ±è¼öÇö

L.v.Beethoven 32 Variations in c minor WoO 80
³ë¼±¿µ

F.Poulenc Sonata(1918) for 4hands
±è¿µÁø, ±è¼º½Å
Prelude
Rustique
Final

G.Verdi - F. Liszt Rigoletto Paraphrase
º¯Á¤Àº

Intermission

W.A.Mozart-F.LisztReminiscences de Don Juan for 2pianos
±è¹Î¼÷, ±è½Å°æ

W.BolcomThe Garden of Eden for 2pianos
Á¤¼­¿¬, °­Àº¿µ
Old Adam
The Eternal Feminine
The Serpent£§s Kiss

J.S.Bach Brandenburg Concerto No.3 in G major
1st Mov. for 8hands
1st ±è¹Î¼÷, Àå¹Ì°æ
2nd À̸ð´ÏÄ«, ±èÀ¯¸®

Ã⿬Áø

ÇÇ¾Æ³ë ±è¹Î¼÷

¸íÀå¸é/¸í´ë»ç

±Û¾²±â
°ü·Ã ±ÛÀÌ ¾ø½À´Ï´Ù. µî·ÏÇØÁÖ¼¼¿ä.

¸®ºä/ÆòÁ¡

Ç÷¹ÀÌDBÀÇ ¸ðµç °ø¿¬DB´Â ´ÙÀ½, ³×ÀÌÆ® µî Æ÷ÅлçÀÌÆ® °ø¿¬Á¤º¸·Î ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.