¹ÙÈå, ÄŸŸ BWV 80, ‘³» ÁÖ´Â °ÇÑ ¼ºÀÌ¿ä’ (1’10”)
Bach, Cantata BWV 80, 'Ein feste Burg ist unser Gott'
(È£¸¥»çÁßÁÖ)
¹ÙÈå, ÄŸŸ BWV 147, ‘¿ì¸®ÀÇ ¼Ò¸Á°ú ±â»Ý µÇ½Ã´Â ¿¹¼ö’ (3’30”)
Bach, Cantata BWV 147 “Jesu, Joy of Man’s Desiring”
(¿Àº¸¿¡, È£¸¥»çÁßÁÖ Çù¿¬)
º¸·Îµò, Çö¾Ç»çÁßÁÖ Á¦2¹ø, 3¾ÇÀå ‘³ìÅÏ’ (8’30”)
Borodin, String Quartet No.2, 3rd Mov. ‘Nocturne’
¹ÙÈå, µÎ ´ëÀÇ ¹ÙÀ̿ø°À» À§ÇÑ ÇùÁÖ°î, 2¾ÇÀå (7’ 30”)
Bach, Double Violin Concerto BWV 1043, 2nd Mov.
(1Vn ¿þÀθ°, 2Vn Á¤ÁöÇý Çù¿¬)
·Î½Ã´Ï, <¼¼ºô¸®¾ÆÀÇ À̹߻ç> Áß ‘³ª´Â ÀÌ °Å¸®ÀÇ ¸¸¹° ¹Ú»ç’ (5’27”)
G. Rossini, ‘Largo al factotum’ from the opera
(¹Ù¸®Åæ ±èÁ¾Ç¥ Çù¿¬)
Ç, <¼¼¸£¼¼> Áß ‘±×¸®¿î ³ª¹« ±×´Ã’ (3’24”)
Handel, ‘Ombra Mai Fu’ from the opera
(¹Ù¸®Åæ ±èÁ¾Ç¥ Çù¿¬)
Ä«Àß½º, »õÀÇ ³ë·¡ (2’12”)
Casals, The Song of the Birds
(ÿ·Î µ¶ÁÖ ¹Ú¹«ÀÏ)
¸Þ½Ã¾Ó, õ»óÀÇ Ç⿬ (7’22”)
Messiaen, Le Banquet Celeste for Organ
(¿À¸£°£ µ¶ÁÖ)
¸ðÂ÷¸£Æ®, °Å·èÇϽŠ¼ºÃ¼
Mozart, Ave Verum Corpus (3’)
(È£¸¥»çÁßÁÖ Çù¿¬)
±èÈ¿±Ù, »îÀÌ ±×´ë¸¦ ¼ÓÀÏÁö¶óµµ(6’18”)
(¹Ù¸®Åæ ±èÁ¾Ç¥ Çù¿¬)
ÇǾÆÁ¹¶ó, ºÎ¿¡³ë½º ¾ÆÀÌ·¹½ºÀÇ »ç°è Áß ‘°Ü¿ï’
A.Piazzolla, Four Seasons of Buenos Aires Winter (7’)
(¹ÙÀ̿ø° ¿þÀθ° Çù¿¬)
ºñ¹ßµð, »ç°è Áß ‘°Ü¿ï’ 1¾ÇÀå (3’45”)
Vivaldi, The Four Seasons, 'Winter' 1st Mov.
(¾ÞÄÝ)
Á¸ ·¹³í, À̸ÅÁø(3’16”)
John Lennon, Imagine