Ŭ·¡½Ä °ÅÀåµéÀÌ ¼±»çÇÏ´Â ½Ç³»¾ÇÀÇ Á¤¼ö<ºñ¸£Åõ¿À¼ÒµéÀÇ Á¶¿ì> °¢±â ´Ù¸¥ °³¼º°ú ¸í¼ºÀ» Áö´Ñ ¼¼ °ÅÀå, ¹ÙÀ̿ø®´Ï½ºÆ® ÀÓÁö¿µ, ÇǾƴϽºÆ® ¾ç¼º¿ø, ÿ¸®½ºÆ® ¼Û¿µÈÆÀÌ ÇÔ²² Á¤±³ÇÏ°í °¨¼ºÀûÀÎ ½Ç³»¾Ç °ø¿¬ÀÇ Á¤¼ö¸¦ ¼±»çÇÒ ¿¹Á¤ÀÌ´Ù. ¼îÆØÀÇ ‘³ìÅÏ 2¹ø’À» ½ÃÀÛÀ¸·Î ºÎµå·´°í ¿ì¾ÆÇÑ ¼±À²ÀÌ °¨¼ºÀûÀÎ ¹ãÀÇ ºÐÀ§±â¸¦ ÀھƳ½´Ù. ÀÌ¾î¼ ¼îÆØÀÇ ‘³ìÅÏ Op.posth’°¡ °íµ¶°ú ¼Á¤À» ¾Æ¿ì¸£´Â ¸á·Îµð·Î °ü°´À» »ç·ÎÀâ´Â´Ù. Å©¶óÀ̽½·¯ÀÇ ‘»ç¶ûÀÇ ½½ÇÄ’Àº ³¶¸¸ÀûÀÎ °¨Á¤¼±À» ±í°Ô Ç¥ÇöÇÏ¸ç ¸¶½º³×ÀÇ ‘¸í»ó°î’..
ÇÁ·¹µ¥¸®Å© ¼îÆØ - ³ìÅÏ 2¹ø ³»¸²¸¶ÀåÁ¶ Op.9
F.Chopin Nocturne No.2 in E-Flat Major, Op.9
ÇÇ¾Æ³ë ¾ç¼º¿ø
ÇÁ·¹µ¥¸®Å© ¼îÆØ - ³ìÅÏ ¿Ã¸²´Ù´ÜÁ¶ Op.posth
F.Chopin Nocturne in C-sharp minor, Op.Posth
ÇÁ¸®Ã÷ Å©¶óÀ̽½·¯ - »ç¶ûÀÇ ½½ÇÄ
F.Kreisler Liebesleid
¹ÙÀ̿ø° ÀÓÁö¿µ,
ÇÇ¾Æ³ë ¾ç¼º¿ø
Áæ ¸¶½º³× - ¿ÀÆä¶ó <ŸÀ̽º> Áß “¸í»ó°î”
J.Massenet Thaïs Meditation
·Îº£¸£Æ® ½´¸¸ - ȯ»ó¼Ò°îÁý °¡´ÜÁ¶ Op.73
R.Schumann Fantasiestücke in A major, Op.73
1. Zart und mit Ausdruck
2. Lebhaft, leicht
3. Rasch und mit Feuer
ÇÇ¾Æ³ë ¾ç¼º¿ø,
ÿ·Î ¼Û¿µÈÆ
ÀÎÅ͹̼Ç
·çÆ®ºñÈ÷ ÆÇ º£Å亥 - ÇǾƳë 3ÁßÁÖ ¶óÀåÁ¶ Op.70 No.1 “À¯·É”
L.V.Beethoven Piano Trio in D Major, Op.70 No.1 “Ghost”
1. Allegro vivace e con brio
2. Largo assai ed espressivo
3. Presto
ÇÇ¾Æ³ë ¾ç¼º¿ø,
¹ÙÀ̿ø° ÀÓÁö¿µ,
ÿ¸®½ºÆ® ¼Û¿µÈÆ,