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°Ô¿À¸£Å© Çʸ®ÇÁ ÅÚ·¹¸¸ Georg Philipp Telemann
¹Ù¼ø°ú ÅëÁÖÀúÀ½À» À§ÇÑ ¼Ò³ªÅ¸ f´ÜÁ¶, TWV 41:f1 (ÇÃ·çÆ®¿Í ÇÇ¾Æ³ë ¿¬ÁÖ)
Sonata for Bassoon and Continuo in f minor, TWV 41:f1 (performed on Flute and Piano)
Triste
Allegro
Andante
Vivace

°¡ºê¸®¿¤ Æ÷·¹ Gabriel Fauré
ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ È¯»ó°î e´ÜÁ¶, Op.79
Fantaisie for Flute and Piano in e minor, Op.79

Å׿À¹ßÆ® ºÊ Theobald Böhm
'³» ¸¶À½¿£ ´õ ´À²¸ÁöÁö ¾Ê³×' ÁÖÁ¦¿¡ ÀÇÇÑ º¯ÁÖ°î, Op.4 Áß
Variations sur “Nel cor più non mi sento”, Op.4 (excerpts)
Introduction
Theme
Variation I
Variation II
Variation IV
Variation VI


I N T E R M I S S I O N 


¾ÈÅæ ½´Å¸¹ÌÃ÷ Anton Stamitz
ÇÃ·çÆ® µ¶ÁÖ¸¦ À§ÇÑ ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò GÀåÁ¶
Rondo Capriccioso for Solo Flute in G Major

ÇÁ¶û½Ã½º Ç®¶ûÅ© Francis Poulenc  
ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ¼Ò³ªÅ¸, FP.164
Sonata for Flute and Piano, FP.164
Allegro malinconico
Cantilena
Presto giocoso

ÇÁ¶û¼ö¾Æ º¸³× François Borne
ÇÃ·çÆ®¿Í ÇǾƳ븦 À§ÇÑ ºñÁ¦ ‘Ä«¸£¸à’ ÁÖÁ¦¿¡ ÀÇÇÑ È­·ÁÇÑ È¯»ó°î
Fantaisie Brillante on Themes from Bizet’s “Carmen” for Flute and Piano
Introduktion
Habanera
Zigeunerlied
Finale
 

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