º£Å亥£ü6°³ÀÇ ¹Ù°¡ÅÚ Op.126
L. v. Beethoven£üSix Bagatelles, Op.126
º£Å亥£üÇÇ¾Æ³ë ¼Ò³ªÅ¸ Á¦8¹ø c´ÜÁ¶ OP.13 “ºñâ”
L. v. Beethoven£üPiano Sonata No.8 in c minor, Op.13 “Pathétique”
INTERMISSION
Çʵå£ü³ìÅÏ Á¦5¹ø B¢ÚÀåÁ¶ H.37
J. Field£üNocturne No.5 in B¢Ú Major, H.37
Çʵå£ü³ìÅÏ Á¦6¹ø FÀåÁ¶ H.40
J. Field£üNocturne No.6 in F Major, H.40
Çʵå£ü³ìÅÏ Á¦18¹ø EÀåÁ¶ H.13 “Á¤¿À”
J. Field£üNocturne No.18 in E Major, H.13 “Le Midi”
¼îÆØ£ü³ìÅÏ E¢ÚÀåÁ¶ Op.9 No.2
F. Chopin£üNocturne in E¢Ú Major, Op.9 No.2
±×¸®±×£ü³ìÅÏ CÀåÁ¶ Op.54 No.4
E. Grieg£üNocturne in C Major, Op.54 No.4
½ºÅ©·ªºó£ü¿Þ¼ÕÀ» À§ÇÑ ³ìÅÏ D¢ÚÀåÁ¶ Op.9 No.2
A. Scriabin£üNocturne for the left hand in D¢Ú Major, Op.9 No.2
¼îÆØ£üÀÚÀå°¡ D¢ÚÀåÁ¶ Op.57
F. Chopin£üBerceuse in D¢Ú Major, Op.57
¼îÆØ£ü¹ß¶óµå Á¦3¹ø A¢ÚÀåÁ¶ Op.47
F. Chopin£üBallade No.3 in A¢Ú Major, Op.47
*Ã⿬Áø°ú ÇÁ·Î±×·¥Àº »çÁ¤¿¡ ÀÇÇØ º¯°æµÉ ¼ö ÀÖ½À´Ï´Ù.