PROFILE Violist È«¼ö°æºñ¿Ã¸®½ºÆ® È«¼ö°æÀº ¼¿ï´ëÇб³ À½¾Ç´ëÇп¡ Àüü ¼ö¼®À¸·Î ÀÔÇÐ ¹× Á¹¾÷ÇÑ ÈÄ, ¹Ì±¹ º¸½ºÅÏÀÇ New England Conservatory¿¡¼ ¼®»ç ÇÐÀ§¸¦, ´º¿å Manhattan School of Music¿¡¼ Professional Studies Certificate °úÁ¤À» Àü¾× ÀåÇлýÀ¸·Î ¸¶Ä¡¸ç ¿¬ÁÖÀڷμÀÇ ±â¹ÝÀ» ´ÙÁ³´Ù. ±×³à´Â Á¹¾÷°ú µ¿½Ã¿¡ ½ºÀ§½º Rolle¿¡ À§Ä¡ÇÑ International Menuhin Music Academy¿¡ ½ºÄ«¿ìÆ®µÇ¾î, ¼¼°èÀûÀÎ ¹ÙÀ̿ø®´Ï½ºÆ®ÀÌÀÚ ÁöÈÖÀÚÀÎ Maxim VengerovÀÇ ÁöÈÖ ¾Æ·¡ Kamerata MenuhinÀÇ ¼ö¼® ºñ¿Ã¸®½ºÆ®·Î¼ Ȱµ¿Çϸç, À¯·´ ¹«´ë¿¡¼ Ã˸Á¹Þ´Â ¿¬ÁÖÀÚ·Î ..
Henri Vieuxtemps (1820-1881)
Élégie for Viola and Piano in F minor, Op. 30
¥°. Prologue (Lent, sostenuto e molto risoluto)
¥±. Sérénade (Modérément animé)
¥². Finale (Animé, léger et nerveux)
Paul Hindemith (1895–1963)
Sonata for Viola and Piano in F major, Op. 11 No. 4
I. Fantasie (Ruhig)
II. Thema mit Variationen
III. Finale (mit Variationen)
INTERMISSION
Krzysztof Penderecki (1933-2020)
Cadenza for Solo Viola
Rebecca Clarke (1886-1979)
Sonata for Viola and Piano
I. Impetuoso
II. Vivace
III. Adagio - Agitato