Ź¿ùÇÑ À½¾ÇÀû Çؼ®°ú ¼¼·ÃµÈ °¨°¢À¸·Î ÁÖ¸ñ¹Þ´Â ÇǾƴϽºÆ® ±è¹ÎÁö´Â ºÎ»ê¿¹¼úÁßÇб³¿Í ºÎ»ê¿¹¼ú°íµîÇб³¸¦ °ÅÃÄ ÀÌÈ¿©ÀÚ´ëÇб³ À½¾Ç´ëÇÐÀ» ½Ç±â ¼ö¼®À¸·Î Á¹¾÷Çß´Ù. ÀÌÈÄ ¹Ì±¹ ½Å½Ã³»Æ¼ À½¾Ç´ëÇÐ(University of Cincinnati, College-Conservatory of Music)¿¡¼ ¼®»ç°úÁ¤ Ãëµæ, Ŭ¸®ºê·£µå À½¾Ç¿ø(Cleveland Institute of Music)¿¡¼ ÃÖ°í¿¬ÁÖÀÚ°úÁ¤(A.D.) ¸¸ÀåÀÏÄ¡ Á¹¾÷, Àϸ®³ëÀÌ ´ëÇб³(University of Illinois at Urbana-Champaign)¿¡¼ ÇÇ¾Æ³ë ¿¬ÁÖ ¹× ¹®ÇåÇÐ ¹Ú»ç ÇÐÀ§ ¼ö¿© ¹× Collaborative Piano DepartmentÀÇ Teaching Assistant·Î ÀÏÇϸç Àü¾× ÀåÇбݰú »ý..
Ludwig van Beethoven (1770-1827)
Piano Sonata No. 30 in E Major, Op. 109
Vivace. ma non troppo. Sempre legato
Prestissimo
Andante molto cantabile ed espressivo
Franz Liszt (1811-1886)
Venezia e Napoli (Supplement aux Annees de Pelerinage II, S. 162) ñé
Tarantella
Intermission
Carl Czerny (1791-1857)
Variations on a Theme by Rode, Op. 33 “La Ricordanza”
Alberto Ginastera (1916-1983)
Piano Sonata No. 1, Op. 22
Allegro marcato
Presto misterioso
Adagio molto appassionato
Ruvido ed ostinato