Ȩ > °ø¿¬¸ÞÀÎ > Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä

¼Û½Â¹Ì, ¹ÚÇϼ± µà¿À ÇǾƳë Äܼ­Æ®
¼¼ºÎÀ帣 Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä
ÀϽà 2021/07/18 ~ 2021/07/18
Àå¼Ò ¼¼Á¾¹®È­È¸°ü üÀÓ¹öȦ
°ü¶÷µî±Þ ¸¸ 7¼¼ÀÌ»ó
°ü¶÷½Ã°£ 90ºÐ (ÀÎÅÍ¹Ì¼Ç : 15ºÐ)
°ø¿¬ÆòÁ¡
°ø¿¬Æò°¡
¿¹¸Å·©Å·

  • ±âº»¼Ò°³
  • °ø¿¬¼Ò°³
  • Ã⿬Áø/Á¦ÀÛÁø
  • °ü·Ã°ø¿¬
  • ¿µ»ó/Æ÷Åä
  • °ü·Ã±â»ç

ÇÁ·Î±×·¥

J. S. Bach (1685-1750)
Cantata for 1 Piano 4 Hands 
Jesu, Joy of Man's Desiring 
Sheep May Safely Graze 
Awakes, Calls the Voice to Us
1st ¼Û½Â¹Ì
2nd ¹ÚÇϼ±
S. Rachmaninoff (1873-1943)
Six Morceaux, Op. 11 for 1 Piano 4 Hands ñé
No. 6 Slava (Glory)
1st ¼Û½Â¹Ì
2nd ¹ÚÇϼ±
A. Piazzolla (1921-1992)
Winter and Summer from “The Four Seasons of Buenos Aires”

Libertango for 1 Piano 4 Hands 
1st ¹ÚÇϼ±
2nd ¼Û½Â¹Ì
Intermission

A. Arensky (1861-1906)
Suite No. 1 for 2 Pianos, Op. 15 
Romance
Valse
Polonaise
1st ¹ÚÇϼ±
2nd ¼Û½Â¹Ì
A. Borodin (1833-1887)
Polovtsian Dances for 2 Pianos
1st ¼Û½Â¹Ì 
2nd ¹ÚÇϼ±

Ç÷¹ÀÌDBÀÇ ¸ðµç °ø¿¬DB´Â ´ÙÀ½ µî Æ÷ÅлçÀÌÆ® °ø¿¬Á¤º¸·Î ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.
[2023³â ÀÌÈÄ·Î ³×À̹ö ¿¬µ¿ ¼­ºñ½º´Â Á¾·á µÇ¾ú½À´Ï´Ù.]