Ä«¸¦ ü¸£´Ï Carl Czerny
·Îµ¥ÀÇ Å׸¶¿¡ ÀÇÇÑ º¯ÁÖ°î ‘È¸»ó’, Op.33
Variations on a Theme by Rode "La Ricordanza”, Op.33
·çÆ®ºñÈ÷ ÆÇ º£Å亥 Ludwig van Beethoven
ÇÇ¾Æ³ë ¼Ò³ªÅ¸ Á¦23¹ø f´ÜÁ¶, ‘¿Á¤’, Op.57
Piano Sonata No.23 in f minor, “Appassionata”, Op.57
Allegro assai
Andante con moto
Allegro ma non troppo – Presto
I N T E R M I S S I O N
ÇÁ·¹µ¥¸®Å© ¼îÆØ Frédéric Chopin
ÇǾƳ븦 À§ÇÑ ³ìÅÏ Á¦7¹ø c-sharp´ÜÁ¶, Op.27/1, CT.114
Nocturne for Piano No.7 in c-sharp minor, Op. 27/1, CT.114
ÇǾƳ븦 À§ÇÑ ³ìÅÏ Á¦8¹ø D-flatÀåÁ¶, Op.27/2, CT.115
Nocturne for Piano No.8 in D-flat Major, Op.27/2, CT.115
ÇÁ¶õÃ÷ ¸®½ºÆ® Franz Liszt
ÇǾƳ븦 À§ÇÑ ½ÃÀûÀ̰í Á¾±³ÀûÀÎ 10°³ÀÇ Çϸð´Ï Áß Àå¼Û°î, S.173/7
Funérailles from 10 Harmonies poétiques et réligieuses for Piano, S.173/7
ÇǾƳ븦 À§ÇÑ ¼Ò³ªÅ¸ dzÀÇ È¯»ó°î, ´ÜÅ׸¦ Àаí, S.161/7
Aprés une lecture du Dante II, Fantasia quasi sonata for Piano, S.161/7