Ȩ > °ø¿¬¸ÞÀÎ > Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä

Èñ¼® ¿¤¸®¾Æ½º ¾ÆÅ¬¸® ÇÇ¾Æ³ë µ¶ÁÖȸ2023±ÝÈ£¿µ¾ÆÆ¼½ºÆ®Äܼ­Æ®
¼¼ºÎÀ帣 Ŭ·¡½Ä/¿ÀÆä¶ó > Ŭ·¡½Ä
ÀϽà 2023/12/16 ~ 2023/12/16
Àå¼Ò ±ÝÈ£¾ÆÆ®È¦ ¿¬¼¼
°ü¶÷µî±Þ ¹ÌÃëÇоƵ¿ ÀÔÀåºÒ°¡
°ü¶÷½Ã°£ 80ºÐ (ÀÎÅÍ¹Ì¼Ç : 15ºÐ)
°ø¿¬ÆòÁ¡
°ø¿¬Æò°¡
¿¹¸Å·©Å·

  • ±âº»¼Ò°³
  • °ø¿¬¼Ò°³
  • Ã⿬Áø/Á¦ÀÛÁø
  • °ü·Ã°ø¿¬
  • ¿µ»ó/Æ÷Åä
  • °ü·Ã±â»ç

ÇÁ·Î±×·¥

Ä«¸¦ ü¸£´Ï Carl Czerny
·Îµ¥ÀÇ Å׸¶¿¡ ÀÇÇÑ º¯ÁÖ°î ‘È¸»ó’, Op.33
Variations on a Theme by Rode "La Ricordanza”, Op.33

·çÆ®ºñÈ÷ ÆÇ º£Å亥 Ludwig van Beethoven
ÇÇ¾Æ³ë ¼Ò³ªÅ¸ Á¦23¹ø f´ÜÁ¶, ‘¿­Á¤’, Op.57
Piano Sonata No.23 in f minor, “Appassionata”, Op.57
Allegro assai
Andante con moto
Allegro ma non troppo – Presto


I N T E R M I S S I O N 


ÇÁ·¹µ¥¸®Å© ¼îÆØ Frédéric Chopin

ÇǾƳ븦 À§ÇÑ ³ìÅÏ Á¦7¹ø c-sharp´ÜÁ¶, Op.27/1, CT.114
Nocturne for Piano No.7 in c-sharp minor, Op. 27/1, CT.114

ÇǾƳ븦 À§ÇÑ ³ìÅÏ Á¦8¹ø D-flatÀåÁ¶, Op.27/2, CT.115
Nocturne for Piano No.8 in D-flat Major, Op.27/2, CT.115

ÇÁ¶õÃ÷ ¸®½ºÆ® Franz Liszt

ÇǾƳ븦 À§ÇÑ ½ÃÀûÀ̰í Á¾±³ÀûÀÎ 10°³ÀÇ Çϸð´Ï Áß Àå¼Û°î, S.173/7 
Funérailles from 10 Harmonies poétiques et réligieuses for Piano, S.173/7

ÇǾƳ븦 À§ÇÑ ¼Ò³ªÅ¸ dzÀÇ È¯»ó°î, ´ÜÅ׸¦ Àаí, S.161/7 
Aprés une lecture du Dante II, Fantasia quasi sonata for Piano, S.161/7
 

Ç÷¹ÀÌDBÀÇ ¸ðµç °ø¿¬DB´Â ´ÙÀ½, ³×ÀÌÆ® µî Æ÷ÅлçÀÌÆ® °ø¿¬Á¤º¸·Î ¿¬µ¿µÇ°í ÀÖ½À´Ï´Ù.