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‘¼Ò³à ȤÀº ±Í¿©¿î ¾Æ³»¸¦’ ÁÖÁ¦¿¡ ÀÇÇÑ 12°¡Áö º¯ÁÖ°î Op. 66
12 Variations on ‘Ein Mädchen oder Weibchen’
from W.A. Mozart’s Opera , Op. 66

 

Ç ¿À¶óÅ丮¿À <À¯´Ù½º ¸¶Ä«º£¿ì½º> Áß
‘º¸¾Æ¶ó, ¿ë»ç°¡ µ¹¾Æ¿Â´Ù’ ÁÖÁ¦¿¡ ÀÇÇÑ 12°¡Áö º¯ÁÖ°î GÀåÁ¶ WoO 45
12 Variations on ‘See, the Conqu’ring Hero Comes’
from G.F. Händel’s Oratorio in G Major, WoO 45

 

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‘»ç¶ûÀ» ´À³¢´Â ³²ÀÚµéÀº’ ÁÖÁ¦¿¡ ÀÇÇÑ 7°¡Áö º¯ÁÖ°î E-flatÀåÁ¶ WoO 46
7 Variations on ‘Bei Männern, welche Liebe fühlen’
from W.A. Mozart’s Opera in E-flat Major, WoO 46

 

¹ÙÀ̿ø°°ú ÇǾƳ븦 À§ÇÑ ¼Ò³ªÅ¸ AÀåÁ¶ Op. 47 ‘Å©·ÎÀÌó’ (ÿ·Î ¹öÀü : Ä«¸¦ ü¸£´Ï Æí°î)
Sonata for Violin and Piano in A Major, Op. 47 ‘Kreutzer’ (arranged by Carl Czerny)

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