ÇÁ·¹µ¥¸®Å© ¼îÆØ Frédéric Chopin
ÇǾƳ븦 À§ÇÑ È¯»óÁïÈï°î, Op.66, CT.46 (¸¶¸²¹Ù¸¦ À§ÇÑ Æí°î Æĺí·Î ºí¶ûÄÚ ÄÚ¸£µ¥·Î)
Fantasy-Impromptu for Piano, Op.66, CT.46 (arranged for Marimba by Pablo Blanco Cordero)
¾Æ½ºÄÌ ¸¶¼Õ Áskell Másson
½º³×¾î µå·³ µ¶ÁÖ¸¦ À§ÇÑ ÇÁ¸²
Prím for Solo Snare Drum
¾Øµå·ç Åä¸Ó½º Andrew Thomas
¸¶¸²¹Ù µ¶ÁÖ¸¦ À§ÇÑ ¸Ö¸°
Merlin for Solo Marimba
Beyond the Faint Edge of the World
Time's Way
ÄÉÀ̽à ÄÁ©·Î½Ã Casey Cangelosi
¼Ö·Î ¿¬ÁÖÀÚ¿Í µðÁöÅÐ ³ìÀ½À» À§ÇÑ ¹èµå ÅÍÄ¡
Bad Touch for Solo Performer and Playback
Á¸ ÇÁ»çŸ½º John Psathas
¸¶¸²¹Ù¿Í Á¤Å© Ÿ¾Ç±â, µðÁöÅÐ ³ìÀ½À» À§ÇÑ ÇϳªÀÇ ¿¬½À°î ÇϳªÀÇ ¿ä¾à Áß
One Study One Summary for Marimba, Junk Percussion and Digital Audio (excerpt)
One Study
I N T E R M I S S I O N
À̾ȴϽº Å©¼¼³ªÅ°½º Iannis Xenakis
Ÿ¾Ç±â µ¶ÁÖ¸¦ À§ÇÑ ¹Ýµ¿
Rebonds for Solo Percussion
Rebonds A
Rebonds B
³×À̼± µµÆ®¸® Nathan Daughtrey
ºñºê¶óÆùÀ» À§ÇÑ ‘ȲȦÇÑ’
“Encantada” for Vibraphone
¿¡¸¶´µ¿¤ ¼¼ÁÖ¸£³× Emmanuel Séjourné
Ÿ¾Ç±â µ¶ÁÖ¿Í Å×ÀÌÇÁ¸¦ À§ÇÑ ¾îÆ®·¢¼Ç (ªÀº ¹öÀü)
Attraction for Solo Percussion and Tape (Short Version)